"Remko Jan Hendrik Scha (15 September 1945 – 9 November 2015) was a professor of computational linguistics at the faculty of humanities and Institute for Logic, Language and Computation at the University of Amsterdam. He made important contributions to semantics, in particular the treatment of plurals, and to discourse analysis, and laid the foundations for what became an important research paradigm in computational linguistics, Data Oriented Parsing.
He was a composer and performer of algorithmic art. He made recordings of music which has been generated by motor-driven machines. One notable example of this type of music is his 1982 album of electric guitar music, "Machine Guitars", on which all guitars are played by saber saws without human intervention, except for one in which the guitar is played by a rotating wire brush, again with no human intervention. Recorded in Eindhoven and New York, it was described by Byron Coley in The Wire 231 as one of "the definitive modern NYC guitar work[s]", and its influence can be heard in the music of Eli Keszler, Alan Courtis and many more. Performances by The Machines took place in Amsterdam, Brussels, London, Berlin, New York, San Francisco. The most recent performance was in Leiden (2015)." - (Wikipedia (en) 02.01.2021)
